web stats

Games of Knowledge | Sports and Exercise

Games of Knowledge and Games of Sport

GRIP, FOOTWORK, AND STROKES IN TENNIS

| July 5, 2011

Footwork is weight control. It is correct body position for strokes, and out of it all strokes should grow. In explaining the various forms of stroke and footwork I am writing as a right-hand player. Left-handers should simply reverse the feet. Racquet grip is a very essential part of stroke, because a faulty grip will ruin the finest serving. It is a natural grip for a top forehand drive. It is inherently weak for the backhand, as the only natural shot is a chop stroke. To acquire the forehand grip, hold the racquet with the edge of the frame towards the ground and the face perpendicular, the handle towards the body, and “shake hands” with it, just as if you were greeting a friend. The handle settled comfortably and naturally into the hand, the line of the arm, hand, and racquet are one. The swing brings the racquet head on a line with the arm, and the whole racquet is merely an extension of it. The backhand grip is a quarter circle turn of hand on the handle, bringing the hand on top of the handle and the knuckles directly up. The shot travels ACROSS the wrist.

 

This is the best basis for a grip. I do not advocate learning this grip exactly, but model your natural grip as closely as possible on these lines without sacrificing your own comfort or individuality. Having once settled the racquet in the hand, the next question is the position of the body and the order of developing strokes. All tennis strokes, should be made with the body’ at right angles to the net, with the shoulders lined up parallel to the line of flight of the ball. The weight should always travel forward. It should pass from the back foot to the front foot at the moment of striking the ball. Never allow the weight to be going away from the stroke. It is weight that determines the “pace” of a stroke; swing that, decides the “speed.” Let me explain the definitions of “speed” and “pace.” “Speed” is the actual rate with which a ball travels through the air. “Pace” is the momentum with which it comes off the ground. Pace is weight. It is the “sting” the ball carries when it comes off the ground, giving the inexperienced or unsuspecting player a shock of force which the stroke in no way showed. A great many players have both “speed” and “pace.” Some shots may carry both.

 

The order of learning strokes should be:

1. The Drive. Fore and backhand. This is the foundation of all tennis, for you cannot build up a net attack unless you have the ground stroke to open the way. Nor can you meet a net attack successfully unless you can drive, as that is the only successful passing shot.

2. The Service.

3. The Volley and Overhead Smash.

4. The Chop or Half Volley and other incidental and ornamental strokes.

Mark Turben likes to write for Uniformhaven.com which sells dickies scrubs, dickies scrub jackets and lab coats as well as a host of additional products.

Mattell Sonic Slam – Understanding The GRIP, FOOTWORK, And STROKES In TENNIS.

| December 2, 2010

Footwork is weight control. It’s correct body position for strokes, and out of it all strokes should grow. In explaining the different types of stroke and footwork I am writing as a right-hand participant. Left-handers ought to simply reverse the feet.

Racquet grip is a very important portion of stroke, simply because a faulty grip will ruin the finest serving. It is a natural grip to get a top forehand drive. It is inherently weak for the backhand, as the only natural shot is really a chop stroke.

To acquire the forehand grip, hold the racquet using the edge of the frame towards the ground and also the face perpendicular, the handle in direction of the entire body, and “shake hands” with it, just as if you were greeting a friend. The handle settled comfortably and naturally into the hand, the line from the arm, hands, and racquet are one. The swing brings the racquet head on a line using the arm, and the whole racquet is merely an extension of it.

The backhand grip is a quarter circle turn of hands on the handle, bringing the palm on top of the handle and also the knuckles straight up. The shot travels ACROSS the wrist.

This may be the very best basis for a grip. I do not advocate studying this grip precisely, but model your natural grip as closely as feasible on these lines devoid of sacrificing your personal comfort or individuality.

Having once settled the racquet within the palm, the subsequent question may be the placement of the body and also the order of creating strokes.

All tennis strokes, ought to be made using the body’ at right angles towards the net, with the shoulders lined up parallel towards the line of flight of the ball. The weight should often travel forward. It ought to pass from the back foot to the front foot at the moment of striking the ball. By no means permit the weight to be going away from the stroke. It is weight that determines the “pace” of a stroke; swing that, decides the “speed.”

Let me explain the definitions of “speed” and “pace.” “Speed” will be the precise rate with which a ball travels through the air. “Pace” may be the momentum with which it comes off the ground. Pace is weight. It is the “sting” the ball carries when it comes off the soil, giving the inexperienced or unsuspecting participant a shock of force which the stroke in no way showed.

A great several players have both “speed” and “pace.” Some shots might carry each.

The order of learning strokes should be:

1. The Drive. Fore and backhand. This is the foundation of all tennis, for you can not build up a net attack unless you’ve the soil stroke to open the way. Nor can you meet a net attack successfully until you’ll be able to drive, as that’s the only successful passing shot.

2. The Service.

3. The Volley and Overhead Smash.

4. The Chop or Half Volley and other incidental and ornamental strokes.

This real expertise are still very much applicable to the Mattell Sonic Slam video game because of the item’s superb sensitivity.